![]() So if a shot is overexposed, this area will be red. If you’re looking for an easier way to grade your images, the Cinema Grade plugin offers various capabilities and presets in the Basic, Pro, and Filmmaker tiers.Īn interesting feature that’s available with any of these packages is “False Colors.” With this tool, you can see the varying luma values in your footage. This plugin is compatible with Final Cut Pro. If this is your first foray into 3D animation, the 3D Perspective Plugin 2 might be a good tool for you to invest in - especially since it doesn’t have a steep learning curve and is easy to use in post-production. The 3D Perspective Plugin 2 is one of the most affordable and beginner-friendly options in our list. For 3D Animation: 3D Perspective Plugin 2 This plugin is compatible with Apple Motion and Final Cut Pro.Ĥ. If you want to add new elements to your footage - such as text, graphics, or animation - you can do this seamlessly by choosing from a variety of tracking presets. Whether you’re producing YouTube videos, films, or corporate advertisements, the Motionvfx mTracker 3D plugin allows for blockbuster-worthy automated 3D tracking. In no particular order, here are our top picks for FCP plugins: 1. This guide outlines 7 Final Cut Pro (FCP) plugins that can help you expand your video editing capabilities.įor our Premiere Pro folks, we’ve highlighted which plugins are compatible with Adobe systems, so there’s some value here for you too. ![]() In lieu of a sitdown conversation with an Oscar-winning video editor like Schoonmaker, you can (and probably already do) use plugins to step up your video editing game. And it can make you question your own judgement on which clip stays and which one goes. If you were only part of a film’s audience - and completely removed from the production process - you might nod in agreement and leave it at that.īut if you, as a fellow video editor, were on the other end of this conversation with Schoonmaker, you’d lean in and want to know everything she was willing to tell you about the how of it all.īecause, as you know firsthand, so much relies on video editors in post-production.Īfter weeks of strategic planning and filming, you have a mass of audio and video material to sort through, cut, edit, and finalize. You're supposed to feel that a film has pace and rhythm and drama, but you're not necessarily supposed to be worried about how that was accomplished.” “There's a great deal of mystery in film editing, and that's because you're not supposed to see a lot of it. There is also a free trial version you can download if you want to check it out to see if it’s worth the $149US asking price.In an interview with FILM COMMENT, American film editor Thelma Schoonmaker shared her perspective on the post-production process: If you have the original mFlare you can upgrade for $79US. MFlare 2 is available to download for $149US. Includes: MFLARE 2plugin + 100 lens flare presets Supported software: FCPX 10.3.4, MOTION 5.3.2 (or later) ![]() ![]() As in real life, it uses values from the light spectrum and automatically matches the secondary colors based on the picked conditions. MFlare 2 includes a brand new tool for finding the right colour palette for your lens effects. Instantly place a new flare in each of your 3D lights’ positions. Additionally, you can also enhance your Motion 5 compositions by switching to the Lights in Group mode, which will You can even combine your existing animation with a Track Brightness feature, which automatically dims the entire effect based on your clip’s content. The built in Mocha tracker then does all the hard work for you and will track your flare no matter where your shot moves. With mFlare 2 you just select what area you want your flare to be in and you hit Track. Animating lens flares frame by frame with key frames, is not only tedious, but it’s also time consuming.
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