![]() Color Finesse allows primary colour correction only in a simplified interface, or full secondaries and scopes in its own interface. Owners of Production Premium CS5 or Master Collection CS5, both of which include After Effects, will have a bundled copy of Synthetic Aperture Color Finesse 3 LE for After Effects. Of course, this option is expensive and limited to very powerful computers only, so it's not for everyone. Mac Pro users with sufficient dedication to grading can now purchase Blackmagic DaVinci Resolve as a software‑only version for $999, a far cry from the previous control‑surface version, which cost nearly $30,000. If you want correction in the timeline you could use the simple colour corrector, but then you don't have the same array of options for secondary colour correction (that applied to specific colours or areas), so in‑depth work still needs to be sent to Color and rendered. But Color is a separate program, meaning that you have to send your edited sequence to Color and render files back into your FCP timeline when you're done, also known as a 'round trip'. To get an idea of exactly where Colorista 2 fits in the market, and what it's up against, let's briefly examine the competition.įor Final Cut Pro users, Apple Colour is included and can handle the bulk of grading duties. Magic Bullet Colorista 2, available from Red Giant Software, is a colour correction plug‑in for Adobe Premiere Pro CS3, 4 and 5 Adobe After Effects CS3,4 and 5 and Apple Final Cut Pro. You’ll see the tri-wheel, the auto balance, saturation, hue, and so on (Figure 3).With so many different bundled and third‑party colour correction plug‑ins available, do Colorista 2's new features offer anything special? Click the image to see it at full size.Ĭoming down through the top, you’ll see that Colorista has a lot of the same control panels you would expect to see in most other color effects. Creating a Bezier mask using Colorista in Premiere Pro. You can do that right in Colorista, and we’ll look more at that later.įigure 3. You might just want to select that color, like you would do in applications such as Photoshop and After Effects. For example, when you have a moving subject, like the oar, which moves a lot and dips in and out of the water, you won’t necessarily want to create a mask even if it could be tracked. You can create a square, circle, ellipse-any shape you need, you can create right there. Right at the top, you’ll see that Colorista uses Adobe’s built-in masking tools, so you can create a bezier mask of any shape ( Figure 3, below). Dragging the Colorista effect onto your clip in Premiere Pro. I’ve already chosen a frame that I like because it shows all the colors that I want to adjust in Colorista.įigure 2. All you have to do is drag it over, just like any other effect, onto the clip you’re editing ( Figure 2, below). Once you’ve installed Colorista, it will show up in your Effects panel in Premiere Pro and other NLEs in similar ways. ![]() Working With Colorista as a Premiere Pro Plug-in ![]() But you will see through this tutorial that Colorista can do a lot of complicated effects, because you can layer it like you can in other grading applications with primary and secondary layers of color. If you’re editing in Premiere Pro, using Colorista for your col grading keeps you from having to use the direct link over to SpeedGrade and back unless you wanting to do something extremely complicated. Well, not really destroy it, but I am going to make it have a very different quality-maybe not something that you would expect to see in footage like this.Ĭolorista is a powerful plugin that keeps you from having to bounce back and forth amongst different applications. I like this footage just the way it is, but I am going to destroy it with Colorista. The East Tennessee kayaking footage we’ll work with in this tutorial. You’ll see all these visual elements at different angles on the kayak and the kayaker in the video that accompanies this article.įigure 1. We’ve got some nice green trees, some rich earth tones in the rocks and water, some vibrant red, and a few other colors ( Figure 1, below). There’s some side lighting, the sun is still fairly low, and since it’s getting late in the season, the sun doesn’t rise up as directly overhead. It was shot on a late summer morning, and it’s got some nice color. I have some footage that I shot last year of a friend doing some kayaking on a river not too far from me in East Tennessee. If you have, you’ll notice one of the things that has changed is its simplified interface. If you haven’t used Colorista before, this will be a good introduction for you. In this article I’ll be taking a look at Colorista III, a color grading plug-in which is part of the Magic Bullet Suite from Red Giant Software.
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